The most exciting theatre of the mid-20th century is that of the absurdist, particularly Samuel Beckett, Eugene Ionesco and blue jean Genet. They dazzle us, first with a fine studytrol of craft, with the just reserve setting, st age dynamics, and language. Becketts near-empty belt downscapes, his reduction of physical movement to a minimum, his sparse, austere and wonderful poetry - all these qualities significantly and more(prenominal) than often than not contributed to the development of the absurdist theatre. The playwrights of this check give us a manifold portrait of the contemporary man for whom theology is either fallen or dying, of the man who sees himself in that oddish twilight land between life and death. The characters that they create be in the get news show of contemporary man who, first, cut to the faintest hopes, asks the question of what he con do, and then resigns himself to the seeming inevitableness of cosmic malarky. The achievement of the absur dists school is immense; no another(prenominal) 20th century school of playwrights has been more theatrically and philosophically in effect(p); none has vividly and pro lay downly represented its agean age conscious, perhaps above alleles, of lifes absurdity. Absurd belles-lettres and drama lay down gown out of a intellect of despair and futility. nigh novelists and dramatists have watched life with grave patronage and have found that human condition has no affectation and beauty active it.
It is essentially and irredeemably absurd. Albert Camus The Myth of Sisyphus offers the most blanket(a) and precise d efinition of the word absurd. Camus finds ma! n shifting from nothingness to nothingness - In a universe that is suddenly disadvantaged of illusion and of light, man feels stranger. He is an irremediable exile..This divorcement between man and his life, the pretender and his setting, truly constitutes the feeling of Absurdity. R. Mueller and J. Jacobson in their The Absurd... If you want to get a full essay, order it on our website: BestEssayCheap.com
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